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Complexity and Contradiction in Architecture, by Robert Venturi
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About the Author
Robert Venturi is a partner in the firm of Venturi, Scott Brown and Associates, Inc., Philadelphia. He has taught at Yale University and the University of Pennsylvania, and was a Fellow and later Architect in Residence at the American Academy in Rome. His writing, teaching, and architectural work have had a decisive influence on the younger generation of architects throughout the world. Venturi is also the author of Iconography and Electronics Upon a Generic Architecture and, with Denise Scott Brown and Steven Izenour, Learning from Las Vegas.
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Product details
Paperback: 136 pages
Publisher: The Museum of Modern Art, New York; 2nd edition (1977)
Language: English
ISBN-10: 0870702823
ISBN-13: 978-0870702822
Product Dimensions:
10.8 x 0.5 x 8.2 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
22 customer reviews
Amazon Best Sellers Rank:
#52,339 in Books (See Top 100 in Books)
This book is less a manifesto than it is a very interesting look at how architecture has evolved over the last 2000 years. Venturi evocatively shows that there was no straight line approach to architecture, but rather an ever-changing and ambiguous path that Modernists chose to make short cuts through. In this sense, Venturi really does capture the complexity and contradiction in architecture in that there are many lessons to be learned, making this book as valuable today as it was in 1966 when it first appeared.Being one of the early "gray" architects, Venturi inspired a movement that eventually became characterized as "Post Modern." His early architectural work left a lot to be desired, since it seems less inspired by the many historical examples he favored, like Frank Furness, in this book and more by the banal trends in contemporary architecture at the time, eventually leading to Learning from Las Vegas (1972), where the concept of a building being a "duck," or a decorated shed, emerged.This book's most appealing aspect is that it is immediately accessible. You don't have to be an architect to understand where Venturi is coming from, much less a grad student working on a dissertation. Venturi avoids all that senseless jargon that characterized architectural theory at the time and later came to engulf Po-Mo talk as well.
If for no other reason that, this is a much revered, and much quoted tome on the nuance character of architectural manifestation through the centuries. But, although this manifesto presents some gleaming nuggets of timeless insight, there are also layers of murky concepts and quixotic prattle. Nonetheless, a classic of architectural design and theory central to the work of most academician today.
THIS BOOK BECAME THE GURU BIBLE OF YOUNG GRADUATES OF PENN, ETC.VENTURI WAS ONE OF MY PROFESSORS 55 YEARS AGO!!!!.
This is a famous historical document that was very influential in the 1960's. Robert Venturiwas the first of a proposed series but, rumour has it that he knocked it out of the park withvolume 1 and no others were published. Can anyone confirm this? I bought this because Ihad lost my original first edition and wanted the reference for historical purposes. Is it relevanttoday? Student architects may find it stimulating as the basic theories still have legs. The designparadigms have run their useful courses in most cases.
Love this book! Venturi has an interesting and fairly extreme way of thinking and this book covers it all. The photos are beautiful on the glossy pages.
Essential reading by the modern Mannerist - Robert Venturi.
great price, excellent service
it was a gift to my sister for he birthday and she love it as per her feed back to me.
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