PDF Download , by James Scott Bell
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, by James Scott Bell
PDF Download , by James Scott Bell
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Product details
File Size: 1480 KB
Print Length: 93 pages
Simultaneous Device Usage: Unlimited
Publisher: Compendium Press (February 23, 2014)
Publication Date: February 23, 2014
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00IMIXI6U
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Amazon Best Sellers Rank:
#31,646 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Any time James Scott Bell writes a book on writing, I buy it. I have every single one of his books on writing (as well as a good bit of his fiction), and all of them have given me a new and exciting perspective on how to write better.This book might be a game changer for plotters and pansters. Many books claim to be flexible, but appear to be some version of "outlining lite". There's nothing wrong with that, but it's not really new information.This plotting from the mirror moment out is the perfect compromise between writing a 50 page outline and writing the entire book by the seat of your pants and then revising heavily. It's a bare bones structure, either from the plot or character standpoint, that allows you to fill in the blanks as much or as little as your writer's heart desires.There's also extra bonus goodies at the back of the book, including one of Bell's best exercises. It shows you how to channel your creavity to mimic the lovely period right before falling asleep. I use it almost every time I write and it's made a huge difference.All in all, this book is worth every dollar, and much more than the price he's charging. He remains one of my go-to authors to insta-buy from, and someday I will realize a life long dream of attending one of his seminars. Until then, we can be content with the writing books he puts out.
Okay, I admit it, I avoided this book because if you can write the Midpoint "scene" well, you can write the book! Duh! Then I actually read the book because I like some of James Scott Bell's other books on writing. He talks about the midpoint "moment". Which is the emotional reaction of a character to the midpoint scene. I agree with the author that the emotional moment at the midpoint of a story is often "missing" or "luke-warm." I just never thought of the emotional reaction of a character as a "moment", and I agree it is an excellent way to get the concept across to an aspiring writer or writer. For instance, if I got a review from an editor that said, "your midpoint "moment" is" ________"; I would know exactly where to go in my manuscript to find this "block of text" after reading James Scott Bell's book. He also has other useful pointers in this book as well. I like the book because while I am a panster who's been training for plotting for many years (hoping it would become "fun"-for me it just got easier.I"m going to try this method and see if the "fun" I experience elevates in my personal story telling/writing. The material inside this book is covered in other books, but the slant that Mr. Bell takes on the midpoint "moment" (Let's face it-there are many books and theories on how to fix sagging middles)-is genuinely helpful and understandable. If you the writer, can create a winner middle first while building your story-the rest is cake. Bravo! Mr. Bell.
Frankly, there wasn't much info in this ebook. It's pretty much a one concept book that only gave a few pages to that concept. (However, I did like his pitch creating sentences, which weren't actually related to the premise of this book. But even that wasn't much new.) The author has a blog post on this Mirror Moment and Death Stakes concept, which pretty much said what this book had to say about it. Save your money and read his blog post about it.
This is another fine five star effort by James Scott Bell. Starting your novel from the middle provides a different POV on the process of creating a page turning story. Bell puts this point at the dead center of the book and has it often as a point within a scene – a mirror point where the main characters ‘sees’ himself for what he is or will soon decide he will become from that point to the end of the book.I find it useful to look at your WIP from this point of view in a way to check for weakness in your storyline which you would not otherwise notice. What is so interesting for me is that I am now taking a course on Shakespeare in which the professor also claims that Shakespeare has this same ‘hinge’ point at the end of his act three in his five act plays. It is at this hinge point that the play gets locked into the path it will follow until the end. Like much of Bell, Shakespeare’s characters are very concerned with finding out what kind of person they really are…that is, who they are as opposed to who they have appeared to be.The ‘who am I really’ hinge point works classically well for the bard and it would be hard to improve on it. I believe that Bell has intuitively seen what makes great writing work and last through the ages. Bell has expanded this idea and make it easily obtainable for many different genres.The author shows how this method can be used by plotters and pantsers while at the same time allowing them to mostly follow their natural writing MO. While I think ‘starting in the middle’ is as useful as using a preflight checklist before taking off in your private plane, I don’t think it is per se a method that either plotters or pantsers will actually adopt.As a plotter I want to be sure the book is going to be a great book before I being the project. So I write the last chapter first. I write a chapter that I call a ‘stand up and cheer I can’t wait to buy your next book’ ending. I can’t stand the idea of working on a book for a year or more and not knowing the whole time if it is going to be a good book. That does not make sense if your goal is to make money from your writing. First write a great ending then make that ending come true. This way you can keep your eyes on the prize; you can look up and see the shining city on the hill; you can find motivation during the dark moments of the writer’s soul because you know there really is a prize behind door three. You know because you put it there. A pantser, after a year of work, may have to take the only ending that will work given what came before. This is no way to get a stand up and cheer ending. Also, when the dark days of the sagging middle get the pantser down, it is easy to think the whole effort is not worth the candle.To sum it up, I will use the guidance offered in this book which I feel is a great return on my investment in time and money. However, I will still write the way I write but I will be going back and making sure my midpoint moments take place and, when possible, I’ll have them take place on all three levels Bell mentions. I see the midpoint mirror moment as a handy midcourse correction on the way to the moon.Actually, there is a lot more writing advice in this book as a bonus and just that material alone would be well worth the price.I will be reading this book several more times so that the ‘trip’ to the middle becomes second nature to me.James Scott Bell Does it Again! A five star return on investment!
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